week-WikiEdit LYU YANGCHENG 여양승2021008895
Summary of this week
This week I continued to edit the entry "Political Cartoons" that I built in the Wikipedia Sandbox. I mainly completed the "Historical Origins" section, focusing on the contributions of 18th-century British cartoonists such as William Hogarth and James Gillray to the rise of political cartoons. I referred to several art history and visual culture materials to sort out the relationship between media evolution from newspaper printing to social criticism. This history not only shows that political cartoons are a medium for dialogue between art and power, but also highlights the role of images in the early public sphere.
2. Interesting Point
I think the most interesting thing is Gillray's cartoon "Napoleon carving up the world", in which he used exaggerated dramatic images to satirize the geopolitical agreements of the time. This shows that in the era when imaging technology was not yet developed, political cartoons were already a tool for information dissemination and mass mobilization, with clear political positions and views. They are not "neutral" works of art, but media that participate in public discussion and ideological construction.
3. Discussion
What I want to explore further is: In today's highly developed social media context, are political cartoons still effective? From Charlie Hebdo to protest images of the Hong Kong demonstrations, to AI-generated memes, can we also regard these contemporary images as a "new type of political cartoon"? In addition, when political cartoons may involve sensitive topics or cross-cultural misunderstandings, how should Wikipedia deal with the neutrality and interpretation of these visual materials? These questions made me rethink the boundaries between images and public knowledge.
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